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Album review: Union Starr – Falling Apart Together

It took Union Starr trio Patch Hannan, Jason Applin and Roger Wells a painful 10 years to deliver their debut album Falling Apart Together, but finally they have enthusiastically burst back onto the scene to show off their Radiohead and Crosby Stills-inspired first effort.

Falling Apart Together is out now
I Know About Art is the first single off Falling Apart Together and Union Starr are a trio who certainly know about their art. This acoustic lead number is based around the narrative of a man with a broken vision who just wanted to “make music after dark for all the nobodies,” creating a breezy four-minute track with a melancholic warmth.
The opening track, Landing Lights, is a Britpop number which oozes with nostalgic tremors of 90s pop music at its best.  This track can sounds a bit dated in parts, lacking a melodic backbone. It does however provide an uplifting release from all of today’s angst-ridden music produced by Union Starr’s contemporaries.
The gawky and sometimes clumsy lyrics are refreshing and add charm and simplicity to the album. “Here’s to mediocrity, somehow it punished me, but I don’t care.”  These words from the track Photograph may seem unsophisticated when standing on their own, but immersed in waves of care-free pop, somehow it just works.
As the album progresses there are moments when Union Starr move towards a more avant-garde style. The closing moments of A Real Fool contrast uncomfortably with the more buoyant previous tracks, an interesting device which breaks up the pattern of an otherwise sugar-coated, care-free album.  This risky move worked well for Union Starr’s inspiration Radiohead, but unfortunately Union Starr don’t quite pull it off.
Falling Apart Together is an album packed full of up-beat songs that make up the perfect summer sound-track. The songs are simply written yet glow with an endearing and eager energy. Intelligently crafted harmonies engage the listener in a romance with Falling Apart Together, sparking a fire within.
Bluebells is a relaxing track accompanied by a laid-back melody that just confirms the easy-going nature of this album, again lyrically slack but it invites the listener to fall into its arms of confident expression and reality , lifting you up in a tender embrace.
I Kept Knocking is a blend of self-assured melodies and synth-filled bedlam, showing Starr’s instrumental diversity. The guitar is always leading the way musically, and the songs are written with enough simplicity to warrant further listens. From the acoustic meanderings of Everything We Say to the more ambient electronic Don’t Worry Baby, Union Starr are no doubt very talented musicians with a passion for making captivating music.
This album has all the criteria for a successful pop album – catchy tunes, dodgy lyrics, soulful melodies and a zeal for creating an album of vibrancy. But whether for reasons right or wrong, you won’t be able to help yourself smiling when you’re listening to it. And that can’t be a bad thing, can it?
Falling Apart Together was released on 26th March 2012; more info here.
Album review: Union Starr – Falling Apart Together

It took Union Starr trio Patch Hannan, Jason Applin and Roger Wells a painful 10 years to deliver their debut album Falling Apart Together, but finally they have enthusiastically burst back onto the scene to show off their Radiohead and Crosby Stills-inspired first effort.

Falling Apart Together is out now

I Know About Art is the first single off Falling Apart Together and Union Starr are a trio who certainly know about their art. This acoustic lead number is based around the narrative of a man with a broken vision who just wanted to “make music after dark for all the nobodies,” creating a breezy four-minute track with a melancholic warmth.

The opening track, Landing Lights, is a Britpop number which oozes with nostalgic tremors of 90s pop music at its best.  This track can sounds a bit dated in parts, lacking a melodic backbone. It does however provide an uplifting release from all of today’s angst-ridden music produced by Union Starr’s contemporaries.

The gawky and sometimes clumsy lyrics are refreshing and add charm and simplicity to the album. “Here’s to mediocrity, somehow it punished me, but I don’t care.”  These words from the track Photograph may seem unsophisticated when standing on their own, but immersed in waves of care-free pop, somehow it just works.

As the album progresses there are moments when Union Starr move towards a more avant-garde style. The closing moments of A Real Fool contrast uncomfortably with the more buoyant previous tracks, an interesting device which breaks up the pattern of an otherwise sugar-coated, care-free album.  This risky move worked well for Union Starr’s inspiration Radiohead, but unfortunately Union Starr don’t quite pull it off.

Falling Apart Together is an album packed full of up-beat songs that make up the perfect summer sound-track. The songs are simply written yet glow with an endearing and eager energy. Intelligently crafted harmonies engage the listener in a romance with Falling Apart Together, sparking a fire within.

Bluebells is a relaxing track accompanied by a laid-back melody that just confirms the easy-going nature of this album, again lyrically slack but it invites the listener to fall into its arms of confident expression and reality , lifting you up in a tender embrace.

I Kept Knocking is a blend of self-assured melodies and synth-filled bedlam, showing Starr’s instrumental diversity. The guitar is always leading the way musically, and the songs are written with enough simplicity to warrant further listens. From the acoustic meanderings of Everything We Say to the more ambient electronic Don’t Worry Baby, Union Starr are no doubt very talented musicians with a passion for making captivating music.

This album has all the criteria for a successful pop album – catchy tunes, dodgy lyrics, soulful melodies and a zeal for creating an album of vibrancy. But whether for reasons right or wrong, you won’t be able to help yourself smiling when you’re listening to it. And that can’t be a bad thing, can it?

Falling Apart Together was released on 26th March 2012; more info here.

Named as headliners of the fabulous, invite-only In The Woods festival (for which the below video is an enticing advert), Leeds lads Alt-J proffer a highly unusual ‘folk-step’ style, complete with lashings of genuine dub, pop, rock and electronica.  They’ll be sodding brilliant on the main stage at ITW; before that, debut album An Awesome Wave is due 28 May, and you can pre-order it here.  For an alternative version of Fitzpleasure, check out bretonLABS’ remix, which Harriet covered recently.

camelsofpeace:

Here is another one of their videos, from the same album, still strange but awesome. (well I like it :-P)

camelsofpeace:

This is my friend band (he’s the drummer), this is their new music video and I think it pretty good not gunna lie it is a wee bit strange but pretty brill all the same.

They describe themselves as an Acoustic Sci-fi Folk Pop band, its quite unique!

Check out the fantastic new video for Maia debut single ‘living In The Alligator’ released March 12th!

‎”it’s a breath of fresh air to listen to an album like this in the climate of today’s music scene” The Stag Student Newspaper on Ani DiFranco’s new album!

‎”it’s a breath of fresh air to listen to an album like this in the climate of today’s music scene” The Stag Student Newspaper on Ani DiFranco’s new album!

Q Magazine’s review of Anais Mitchell’s album …

Q Magazine’s review of Anais Mitchell’s album …

‎”few have the ability to hold the audience transfixed with just voice and acoustic guitar for 90 minutes, but she is most assuredly in that select group.”  Read more about the GIG OF THE MONTH, Ani DiFranco at Union Chapel, in Acoustic Magazine

‎”few have the ability to hold the audience transfixed with just voice and acoustic guitar for 90 minutes, but she is most assuredly in that select group.”  Read more about the GIG OF THE MONTH, Ani DiFranco at Union Chapel, in Acoustic Magazine